from The Futurist Cookbook by Filippo Tommaso Marinetti. Translated by Suzanne Brill. (London: Trefoil Publications, Ltd. 1989.)
Filippo Tommaso Marinetti
Against pasta
[1]
Futurism has been defined by the philosophers as 'mysticism in action', by Benedetto Croce as 'anti-historicism', by Graga Aranha as 'liberation from aesthetic terror'. We call it 'the renewal of Italian pride', a formula for 'original art-life', 'the religion of speed', 'mankind straining with all his might towards synthesis', 'spiritual hygiene', 'a method of infallible creation', 'the geometric splendour of speed', 'the aesthetics of the machine'.
[2]
Against practicality we Futurists therefore disdain the example and admonition of tradition in order to invent at any cost something new which everyone considers crazy.
[3]
While recognizing that badly or crudely nourished men have achieved great things in the past, we affirm this truth: men think dream and act according to what they eat and drink.
[4]
Let us consult on this matter our lips, tongue, palate, taste buds, glandular secretions and probe with genius into gastric chemistry.
[5]
We Futurists feel that for the male the voluptuousness of love is an abysmal excavator hollowing him out from top to bottom, whereas for the female it works horizontally and fan-wise. The voluptuousness of the palate, however, is for both men and women always an upward movement through the human body. We also feel that we must stop the Italian male from becoming a solid leaden block of blind and opaque density. Instead he should harmonize more and more with the Italian female, a swift spiralling transparency of passion, tenderness, light, will, vitality, heroic constancy. Let us make our Italian bodies agile, ready for the featherweight aluminium trains which will replace the present heavy ones of wood iron steel.
[6]
Convinced that in the probable future conflagration those who are most agile, most ready for action, will win, we Futurists have injected agility into world literature with words-in-liberty and simultaneity. We have generated surprises with illogical syntheses and dramas of inanimate objects that have purged the theatre of boredom. Having enlarged sculptural possibility with anti-realism, having created geometric architectonic splendour without decorativism and made cinematography and photography abstract, we will now establish the way of eating best suited to an ever more high speed, airborne life.
[7]
Above all we believe necessary: a) The abolition of pastasciutta, an absurd Italian gastronomic religion. It may be that a diet of cod, roast beef and steamed pudding is beneficial to the English, cold cuts and cheese to the Dutch and sauerkraut, smoked [salt] pork and sausage to the Germans, but pasta is not beneficial to the Italians. For example it is completely hostile to the vivacious spirit and passionate, generous, intuitive soul of the Neapolitans. If these people have been heroic fighters, inspired artists, awe-inspiring orators, shrewd lawyers, tenacious farmers it was in spite of their voluminous daily plate of pasta. When they eat it they develop that typical ironic and sentimental scepticism which can often cut short their enthusiasm.
[8]
A highly intelligent Neapolitan Professor, Signorelli, writes: 'In contrast to bread and rice, pasta is a food which is swallowed, not masticated. Such starchy food should mainly be digested in the mouth by the saliva but in this case the task of transformation is carried out by the pancreas and the liver. This leads to an interrupted equilibrium in these organs. From such disturbances derive lassitude, pessimism, nostalgic inactivity and neutralism.' An invitation to chemistry
[9]
Pastasciutta, 40 % less nutritious than meat, fish or pulses, ties today's Italians with its tangled threads to Penelope's slow looms and to somnolent old sailingships in search of wind. Why let its massive heaviness interfere with the immense network of short long waves which Italian genius has thrown across oceans and continents? Why let it block the path of those landscapes of colour form sound which circumnavigate the world thanks to radio and television? The defenders of pasta are shackled by its ball and chain like convicted lifers or carry its ruins in their stomachs like archaeologists. And remember too that the abolition of pasta will free Italy from expensive foreign grain and promote the Italian rice industry.
b) The abolition of volume and weight in the conception and evaluation of food.
Filippo Tommaso Marinetti
Against pasta
[1]
Futurism has been defined by the philosophers as 'mysticism in action', by Benedetto Croce as 'anti-historicism', by Graga Aranha as 'liberation from aesthetic terror'. We call it 'the renewal of Italian pride', a formula for 'original art-life', 'the religion of speed', 'mankind straining with all his might towards synthesis', 'spiritual hygiene', 'a method of infallible creation', 'the geometric splendour of speed', 'the aesthetics of the machine'.
[2]
Against practicality we Futurists therefore disdain the example and admonition of tradition in order to invent at any cost something new which everyone considers crazy.
[3]
While recognizing that badly or crudely nourished men have achieved great things in the past, we affirm this truth: men think dream and act according to what they eat and drink.
[4]
Let us consult on this matter our lips, tongue, palate, taste buds, glandular secretions and probe with genius into gastric chemistry.
[5]
We Futurists feel that for the male the voluptuousness of love is an abysmal excavator hollowing him out from top to bottom, whereas for the female it works horizontally and fan-wise. The voluptuousness of the palate, however, is for both men and women always an upward movement through the human body. We also feel that we must stop the Italian male from becoming a solid leaden block of blind and opaque density. Instead he should harmonize more and more with the Italian female, a swift spiralling transparency of passion, tenderness, light, will, vitality, heroic constancy. Let us make our Italian bodies agile, ready for the featherweight aluminium trains which will replace the present heavy ones of wood iron steel.
[6]
Convinced that in the probable future conflagration those who are most agile, most ready for action, will win, we Futurists have injected agility into world literature with words-in-liberty and simultaneity. We have generated surprises with illogical syntheses and dramas of inanimate objects that have purged the theatre of boredom. Having enlarged sculptural possibility with anti-realism, having created geometric architectonic splendour without decorativism and made cinematography and photography abstract, we will now establish the way of eating best suited to an ever more high speed, airborne life.
[7]
Above all we believe necessary: a) The abolition of pastasciutta, an absurd Italian gastronomic religion. It may be that a diet of cod, roast beef and steamed pudding is beneficial to the English, cold cuts and cheese to the Dutch and sauerkraut, smoked [salt] pork and sausage to the Germans, but pasta is not beneficial to the Italians. For example it is completely hostile to the vivacious spirit and passionate, generous, intuitive soul of the Neapolitans. If these people have been heroic fighters, inspired artists, awe-inspiring orators, shrewd lawyers, tenacious farmers it was in spite of their voluminous daily plate of pasta. When they eat it they develop that typical ironic and sentimental scepticism which can often cut short their enthusiasm.
[8]
A highly intelligent Neapolitan Professor, Signorelli, writes: 'In contrast to bread and rice, pasta is a food which is swallowed, not masticated. Such starchy food should mainly be digested in the mouth by the saliva but in this case the task of transformation is carried out by the pancreas and the liver. This leads to an interrupted equilibrium in these organs. From such disturbances derive lassitude, pessimism, nostalgic inactivity and neutralism.' An invitation to chemistry
[9]
Pastasciutta, 40 % less nutritious than meat, fish or pulses, ties today's Italians with its tangled threads to Penelope's slow looms and to somnolent old sailingships in search of wind. Why let its massive heaviness interfere with the immense network of short long waves which Italian genius has thrown across oceans and continents? Why let it block the path of those landscapes of colour form sound which circumnavigate the world thanks to radio and television? The defenders of pasta are shackled by its ball and chain like convicted lifers or carry its ruins in their stomachs like archaeologists. And remember too that the abolition of pasta will free Italy from expensive foreign grain and promote the Italian rice industry.
b) The abolition of volume and weight in the conception and evaluation of food.
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