Wednesday, March 21, 2012

Pulse Points

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needlessly awakened the French forces.
take the polls down barred wires break through: shutters airplanes furniture bodies lining the streets.

returning now to the first time.

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these preoccupied streets build colony bore Bobby.



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folk calling all property pump Patriots:

copyright, Teddy Bear, Amos, Susan Kelly, share * pillars all year endorses Cobb now...

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Monday, March 19, 2012

I cannot fix this



piece of paper for permanence or dust. Without you. This is self imposed. this refusal. i am trying to keep from the language of the desperate heart. Unfixed. Permanently bare.

Thursday, March 15, 2012

As water defines the fish






The films of Roger Corman are structured by an esthetic of atemporality, that relates more to Reinhardt and Poe, more than most artists working at this time. He begins, also, to acquire a sense of time and to realize the moment in which he feels an intense desire to seize something is an instant in a lifetime, an infinitesimal point in the history of the race. The Edsel waited for him. A social common denominator of the movement seems out of the question, but it is true that psychologically this generation seems everywhere characterized by sheer courage and by a no less astonishing confidence in the possibility of change. Ed Blue is out there and… Has
Exclusive possession (now) of his love, whose physical beauty and laconic speech afford him inexhaustible pleasures.


64 FILMS 69/70

sensitivity and acumen. Aside from the entertainment joys of the picture‑the wild humor, the music, the young, engaging and often very handsome cast‑Alice's Restaurant provides a primer on youth surviving the decade of Vietnam. It should be noted, how­ever, that Arlo Guthrie has more talent and a better mind than the general average of his generation. He can better afford, perhaps, to run free.



ARLO'S OFF‑THE‑RECORD MOVIE

RiCHARD SCHICKEL



Its coming has been proclaimed so often that one hesitates to announce again the arrival of the New American Movie.
But as far as I'm concerned, Alice's Restaurant clinches the matter, prov­ing that Faces and Easy Rider, Putney Swope and Medium Cool are neither accidents nor a coincidence, that filmmakers from in­side and outside the industrial system have succeeded in carving out a place to stand and make their own movies. It is a place where, seemingly, they have the best of two worlds, melding the individuality of the underground with the possibility of getting rational financing, decent promotion, general release from the powers that be.
Alice's Restaurant is directed by Arthur Penn, whose work ranges in quality from Bonnie and Clyde to Mickey One, but whose devotion to doing things his own way has constantly re­mained admirable. In this case he has, in effect, illustrated and extended Arlo Guthrie's bit song, turning it into a spiritual auto­biography detailing his search for a satisfying identity and a com­munity to which be can give
allegiance. It is scarcely an original idea for a work of art, but, like the original ballad, it has a charm­ing simplicity.
Moreover, the project is just right for Penn. As Bonnie and Clyde proved, he has a genuine and sensitive feel for folk balladry, for the American landscape and for the smallness and loneliness







[1] Robert Smithson, “A museum of Language in the Vicinity of Art” Art International (March 1968) from
The Writings of Robert Smithson ed. Nancy Holt (1979)

2. Walter Lippmann, A Preface to Morals (1929)

3. Walker Percy, The Last Gentleman (1966)

4. Hannah Arendt, On Violence (1969-70)

5. James Cain, The Butterfly (1946)

6. Susan Sontag, Death Kit (1967)












“The”[1] “time”[2] “for”[3] “change”[4] “is” [5]“now.”[6]









[1]
[2]
[3]
[4]
[5]
[6]

Wednesday, March 14, 2012





I want to get out side through you. All of you. Inside that place where I am not supposed to go. This is the hole. That lens. Placed next to your eye without raising an objection. As it lowers itself onto my mouth. Into your hand. Those beautiful hands. Is this the mouth shadow? The eyes brought closer do not reflect this.

Monday, March 12, 2012

Wednesday, March 7, 2012

Monday, March 5, 2012

Not waiting. Waiting for it. Looking for the reason to continue waiting where the reason does not fall within the reasonable set of expectations. Thees arouse my fears. My own uncertainy about you. All of you. Keep looking. In vain. Expectation clarifies itself as a rewtad. A gift to the negative impulse. Fetch that desire.

Saturday, March 3, 2012